{"id":6178,"date":"2024-09-09T09:45:51","date_gmt":"2024-09-09T09:45:51","guid":{"rendered":"https:\/\/fuoricatalogoartem.it\/artists\/annunziata-scipione\/"},"modified":"2024-09-23T13:55:33","modified_gmt":"2024-09-23T13:55:33","slug":"annunziata-scipione","status":"publish","type":"page","link":"https:\/\/fuoricatalogoartem.it\/en\/artists\/annunziata-scipione\/","title":{"rendered":"Annunziata Scipione"},"content":{"rendered":"

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Annunziata Scipione<\/strong><\/span><\/h1>\n

[\/vc_column_text][vc_row_inner][vc_column_inner width=”1\/4″][\/vc_column_inner][vc_column_inner width=”1\/2″][vc_single_image image=”5939″ img_size=”full” alignment=”center”][\/vc_column_inner][vc_column_inner width=”1\/4″][\/vc_column_inner][\/vc_row_inner][vc_row_inner][vc_column_inner][vc_column_text]Annunziata Scipione tears apart the unwritten pact that attributes a very specific role to women within peasant society: the artist can be born and grow even in these closed contexts. In this way, Annunziata’s art is conditioned only by the daily experience of the group to which it belongs, without contamination. Indeed, it is she herself who culturally “contaminates” life scenes that would otherwise remain stereotyped.
\nAnnunziata’s irrepressible gesture burst into the feminist scene of the 1970s in a tiny village in Southern Italy in an equally revolutionary way as the street demonstrations, in a patriarchal social context that was even more exasperated in the South. For this reason she chooses na\u00efve<\/em>, figurative language in ‘setting but abstract in the underlying language, in the structure of the work but above all in the (female) hand of the artist who proposes it. In this historical-social-artistic context Annunziata and her art assume a position of enormous power, understandable only later, many years later: a message of freedom designed for all women, more relevant than ever.
\nThe sets, created exclusively by heart, are striking because in the scene-container the narration of a model of life strongly anchored to values that are almost palpable here materializes, highlighted by the rituality, by the sacredness of the gestures in the activities that act as a link to the social group; values fixed over time through the Art of Annunziata Scipione.
\nIt is the woman who becomes the guardian and guarantor of these intimacies and Annunziata uses natural elements, especially trees, to shield a model of life that was slowly disappearing. Annunziata’s art historicizes this model, an alternative to the dominant model, and the success of her works acts as a fixation to the collective memory, as it was for all the genius protagonists of the History of Art.
\nCertainly for Annunziata, art was a tool of emancipation and the impact of his works contributed to attributing a different meaning to southern culture, elevating the Abruzzo artist to a fundamental figure in Italian art of the 20th and 21st centuries.[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][vc_row_inner disable_element=”yes”][vc_column_inner width=”1\/4″][\/vc_column_inner][vc_column_inner width=”1\/2″][vc_column_text]Daniele Guerrieri was born in Castelli (TE) on 27 April 1944, where he graduated from the State Art Institute. After high school he attended the Academy of Fine Arts in Rome where he graduated in sculpture with top marks.[\/vc_column_text][\/vc_column_inner][vc_column_inner width=”1\/4″][\/vc_column_inner][\/vc_row_inner]

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\u201cI was the youngest, and therefore I had to take the sheep out to graze. I drew, scribbling with charcoal, young ladies, cats, dogs… <\/em><\/strong><\/p>\n

I was born with this passion. When I grew up and got married, I drew secretly from my husband, while he was at work: I didn’t want him to see anything, because it was said that women had to cook, knit socks, but I liked playing with colours… <\/em><\/strong><\/p>\n

Someone told me that my painting was “na\u00efve” but I didn’t understand…”<\/em><\/strong><\/p>\n

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(Annunziata Scipione)<\/strong><\/p>\n

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Annunziata Scipione was born in 1928 in Camerale di Tossicia (Te), at the foot of the Gran Sasso.<\/p>\n

A farmer, the youngest of seven children, she had to dedicate herself to grazing sheep from an early age as a form of help for the family. He attended primary school until the third grade, showing great talent in drawing.<\/p>\n

As an adult, her husband, Ettore Di Pasquale, encouraged her to work on her canvases, to which she dedicated herself in the moments free from running the house and working in the countryside. Self-taught, he began sculpting local wood in 1968 (first work “la pastorella”,<\/em> a rudimentary sculpture full of poetry). From 1972 he moved on to painting, painting canvases depicting scenes of peasant life with oil colours.<\/p>\n

Discovered by Cesare Zavattini, her great admirer, who found in her “a fundamental dialect that has the value of a created language”<\/em> and who in some way compares her to Antonio Ligabue.<\/p>\n

The artist has established herself nationally and internationally since the second half of the Seventies and is considered one of the greatest Italian na\u00eff painters.<\/p>\n

In 2010 Annunziata Scipione stopped painting due to health problems but continued to draw, still creating works of notable formal and chromatic impact.<\/p>\n

Annunziata’s artistic work also constitutes a sort of encyclopedic diary of the customs, activities, secular and religious traditions of the archaic-rural society of her homeland of Abruzzo; it managed to express the cultural identity of its people, highlighting their community, aesthetic and spiritual values and at the same time expressing its own artistic, visionary and imaginative identity.<\/p>\n

Several of her works are exhibited in the National Museum of Na\u00efve Arts in Luzzara, alongside the masterpieces of Antonio Ligabue, of whom she is considered the artistic and spiritual heir. She participated in seven editions of the National Na\u00effs Award of Luzzara, being awarded in the 1977-1978 one. Two of his paintings were chosen to celebrate the Holy Year 1983-1984. Numerous participations in exhibitions and prizes; his works have been presented in important capitals of world art, such as London and Paris and appear in public and private collections and in various museums of modern and contemporary art throughout Europe. The Municipality of Tossicia has dedicated a room to her in the Ethnographic Museum which houses an important collection of the painter alongside works by Antonio Ligabue.<\/p>\n

She died in Teramo on 24 April 2018.<\/p>\n<\/div>\n<\/article>\n

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Asino con pecore
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Bucato a mano
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Campo di grano
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Cascina in campagna
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Cavallo con puledro
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Cesto di mele
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Cortile di campagna
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L’inverno
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La potatura
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Lavendemmia delle capanne
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Piante d’autunno
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Piante di vimini
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Raccolta di granturco
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Ritorno dal mulino
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Trasporto del letame
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Uccelli
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Visita nel parco
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[vc_row full_width=”stretch_row_content”][vc_column][vc_column_text] Annunziata Scipione [\/vc_column_text][vc_row_inner][vc_column_inner width=”1\/4″][\/vc_column_inner][vc_column_inner width=”1\/2″][vc_single_image image=”5939″ img_size=”full” alignment=”center”][\/vc_column_inner][vc_column_inner width=”1\/4″][\/vc_column_inner][\/vc_row_inner][vc_row_inner][vc_column_inner][vc_column_text]Annunziata Scipione tears apart the unwritten pact that attributes a very specific role to women within peasant society: the artist can be born and grow even in these closed contexts….<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":3593,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-6178","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/fuoricatalogoartem.it\/en\/wp-json\/wp\/v2\/pages\/6178","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fuoricatalogoartem.it\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/fuoricatalogoartem.it\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/fuoricatalogoartem.it\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/fuoricatalogoartem.it\/en\/wp-json\/wp\/v2\/comments?post=6178"}],"version-history":[{"count":4,"href":"https:\/\/fuoricatalogoartem.it\/en\/wp-json\/wp\/v2\/pages\/6178\/revisions"}],"predecessor-version":[{"id":6968,"href":"https:\/\/fuoricatalogoartem.it\/en\/wp-json\/wp\/v2\/pages\/6178\/revisions\/6968"}],"up":[{"embeddable":true,"href":"https:\/\/fuoricatalogoartem.it\/en\/wp-json\/wp\/v2\/pages\/3593"}],"wp:attachment":[{"href":"https:\/\/fuoricatalogoartem.it\/en\/wp-json\/wp\/v2\/media?parent=6178"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}